Posted in Book Signings

A Great Event Happening Next Year

Here is the information about the HUGE author book signing moved from this year (and last year) to 2022. Let’s meet!

Complete list of authors are shown at the bottom. Don’t forget it can change without notice.

General Event Information:
Capital City Author Event
May 20-21, 2022


Venue / Hotel Information:
Renaissance Montgomery Hotel & Spa at the Convention Center
201 Tallapoosa Street, Montgomery, AL 36104

Get your Tickets herehttps://ccae2022.eventbrite.com

Meet/Greet:
Capital City Carnival – Food, Fun, and Games
Friday May 20, 2022 7:00pm – 10:00pm
Live Music/DJ, Carnival Style Food, Table Games (with attending Authors), and Cash Bar
Ticket Cost: $15

Author Signing:
Saturday May 21, 2022 11:00am – 4:00pm
VIP Ticket Cost: $25
Includes 1 hour early entry in the event from at 11:00 am, Special VIP Swag Bag, VIP Lanyard, and 1 Scratch-off Ticket (Scratch-off prizes include chances to win Amazon gift cards, raffle basket tickets, book cash, and more)
General Admission Ticket Cost: $5

Entry into the event from 12:00pm – 4:00pmAll raffle basket proceeds and door donations will be given to our event charity:Montgomery Humane Society Adoptable Pets

Room Block Information:TBA – Once new Room Block Link it available it will be posted


Reader Group: https://www.facebook.com/groups/CCAEReaderGroup/
Facebook Like Page:https://www.facebook.com/CapitalCityAuthorEvent.MGM/
Email: CapitalCityAuthorEvent.MGM@gmail.com

Author / Vendor Interest Form: https://forms.gle/XUBubRCdDXXonppv7

Posted in Hidden Heat, Writing

So Your Readers Hate Your Heroine

When I first started writing, critique partners and contest judges would often have a problem with my heroines. When I sold my first book, my editor said I needed to make my heroine likable.

Geez. She’s a cold-blooded assassin (Circle of Desire) and I understood why she was that way. Why couldn’t she?

I had explained piece by piece throughout the book how she was a dumpster baby, grew up in an orphanage and foster care. Then she was molested and became a runaway, walked the streets for a small time pimp, and then trained by a psycho to be an assassin. Why couldn’t the readers feel sympathy for her?

Well, if more than one person tells you that they do not like a character, you have to listen. And a big clue is the two words I used above. I understood.

So that means, I didn’t help the reader recognize where she was coming from when she did or said bad things. You can’t guarantee that the reader will read the whole book to grasp all of the fine details that made the heroine become that person. You have to give the reader a reason for her behavior. Of course, I do get aggravated with a reviewer when they say “I skipped through the book.” If she/he had read every word, they would have understood the heroine’s thought process. But it is the author’s responsibility to make it clear in the beginning that the main character(s) is someone you want in your life or sympathetic to their faults.

With encouragement from my editor, I went into the first chapter and added a sentence. That helped. See, it doesn’t take an info dump to get a point across. If you’re wondering, I showed in the narrative that her hands shook. Showing she was human.

I believe women often have a problem writing women because we think our readers (majority women) know the motivations behind the female lead’s actions. But that’s not true. Not every woman feels the same way about a situation. So we have to explain or show her rationale.

Funny how I forgot that lesson from my debut book when I wrote my first Brother of Mayhem book, Hidden Heat. Several reviewers felt that Cassidy was being immature by the fits she dealt the MC. She’s a strong heroine who knew if she didn’t stand her ground the club would run all of over her. I obviously didn’t make that clear enough in the beginning. But thankfully some reviewers/readers understood. Here’s one review that proved it. Debbie’s Reviews in Goodreads.

This means we (authors) have to stay on our toes and give our readers the information needed, within reason and in the most entertaining way. And readers need to give strong (or weak) heroines the benefit of doubt. If you want to skip pages, just don’t read the book.

Posted in Writing

What Is The Difference Between Mystery, Suspense, and Thriller? I Have So Many Answers.

Yesterday, I was discussing with another author the differences between a mystery, a suspense, and a thriller. I need to mention that this debate is not new to anyone and has been going on for years and years. Everyone has an opinion about it. I believe it all depends on what you read or write or both.

Now you don’t have to take my word on this. Here are other perspectives I found on the internet. I figured I would get you in the mood by seeing others before you see mine.

Author Stacy Woodson

Author Maeve Maddox

Former Literary Agent Nathan Bransford

Several Answers on Quora

See what I mean? Lots of viewpoints and really no one is wrong. Like I said, it depends on where you sit on the fence. Right? Ha!

Moving on, here’s my fence…uh…opinion.

Thriller

First, I want to mention all thrillers have suspense and many have a mystery entwined with the plot, but thrillers have one thing in common. The inciting event leads to a greater, dangerous event. Thrillers are normally involved with killing a lot of people or/and destroying a lot of property. Such as the Die Hard franchise. So if it starts out with one person dead and then gradually more are dead until the whole city or world is in danger, that’s a thriller.

While writing this post, I searched for “thriller movies” and none were the type I think of as the typical thriller. It appears the internet and media often referred to movies I look at as thrillers to be action movies. They are both.

People include a serial killer or serial killer-like character in a movie as thrillers. It can reveal the killer or not to the reader. The same for the hero in the story. He or she could know (or not) who is bringing up the body count. But you have to realize, this is a hybrid. A thriller with suspense. Of course, suspense is included along with mystery. Think of any movie where individuals are dying left and right, and you don’t know when the next murder will happen. I think of the movie Seven for this one. They discover who the killer is mid-way through the seven deaths, but can they stop him in time?

From a personal debate of mine, I’ve had people call my first book, Circle of Desire, a thriller. I’ve always disagreed. I do like action/adventure mixed in with my romantic suspense. So it’s like a Nikita or James Bond story. In Circle of Desire, the bad guy is trying to get rid of his competition and using a female assassin to do it. She’s captured in the first chapter by the other organization and does not kill another person until later the book. He’s not about to kill everyone in the world either. So no. Not a thriller. Romantic suspense, yes.

Here’s the blurb to Circle of Desire.

As the top assassin at The Circle, a shadowy group of mercenaries, Olivia St. Vincent can hunt down anyone. She’s been trained since she was a teenager to kill without feeling, to interact with men without love. But when she’s kidnapped by the enigmatic leader of a rival organization, she learns she’s been lied to for years. She never worked for the good guys.

Collin Ryker believes the sultry woman he’s abducted knows more than she’s telling about The Circle and its plans for complete domination. Over time, as they work together, Olivia’s tenacity and vulnerability captivate him. But if he isn’t careful, Collin will fall into the biggest trap of all: caring for a woman who can betray him to his greatest enemy.

Mystery

This one is simple and most agree on the definition. Usually, there is one personthough others might help– investigate a murder or locate a missing valuable. I always think of stories about Sherlock Holmes or those written by Agatha ChristieMurder on the Orient Express, anyone?when someone talks of mysteries. But keep in mind National Treasure is a perfect example of a mystery involving an object. I do enjoy them all.

Suspense

The dictionary says, “a quality in a work of fiction that arouses excited expectation or uncertainty about what may happen.” That sure sounds like the two above too. Right? If you search for “suspense” movies, thrillers will come up instead. See, even the media is confused. I guess thriller sounds more exciting.

But what makes a book (or movie, etc.) a suspense, is that the killing or/and danger is personal and slower to come about. Maybe someone is shooting at the hero and he does not know who it is. Even the reader may not know. Or someone is planning to kill a person by setting a trap. And the reader may (or not) know about the trap and is waiting for (or surprised by) what happens. To keep it simple, and yes, tooting my own horn, my books are suspense (with the exception of the hockey romance books – they are not).

I found this article on Reedsy that might help. How to Create Suspense?

Like I mentioned, thriller, mystery, and suspense can be mixed together into a book. You’re probably thinking about the book you’ve written and it has all three. How would you market your book? I would suggest looking at your plot. If the dark moment involves something big, like blowing up a building or having a sniper in a tower killing people for several chapters or the whole book, that’s mainly a thriller. If a death happened in the first three chapters or before chapter one started, and no one knows who killed the person, that is more mystery than anything else. Or if you have a killer after the main character and most of the other bodies showing up were from people getting in the way, you have a suspense. The other elements are icing on the cake. You don’t want to confuse your agent or editor. So it’s best to pick only one. That way they will know how best to market your book.

Posted in Ethan, Jake, Sen, Southern Crime Family series, Writing

Inspiration Struck Finally!

Wow! I love it when I’m writing and something that had been bothering me from nearly chapter one finally solved itself.

Well, okay. You twisted my arm. I’ll tell you a little about it. First, let me say, in book one (Jake) of the Southern Crime Family, the hero’s kink is that he likes to spank the heroine. Totally consensual.

In Ethan’s (book two, unless I change my mind again), I’ve already decided his kink will be that he likes to be tied up during the act. Nice twist, for the women are usually the ones, right?

The heroine is what I refer to as a real woman. She knows what she wants and she’s not shy in going after it. And he’s a real man because he isn’t scared to tell his woman that he has problems that only she can solve with a little discipline. By the way, she has a young daughter. I don’t normally have children in my books, but like I said, she’s a real woman.

Then there is Sen, the middle brother. The one I was having a difficulty in giving him a kink. See, he’s in love with an heroine who is deaf. Most of everything I can think of would appear to be taking advantage of her disability in the hearing world or maybe even cruel.

So here I was writing a scene where she’s angry at an old friend (male) and suddenly she remembers the big crush she had for him long ago. She’s getting turned on as her old friend and her new friend (Sen) argue about her, and she’s literally standing between them. She’s short. They are tall. Hot. Hard. Bam!

Let’s say, she’s going to have a fantasy to come true a few times in the book. Sen loves her enough to share. Well, at first. He is an alpha.

Here are the latest covers for Sen and Ethan books.