writing – Page 4 – Carla Swafford, Author

One of the many lessons I’ve learned writing over the years is that you have to keep an open mind. There is so much to learn, and sometimes the smallest things will turn on the little light bulb above your head.

For me, I wanted to improve on sexual tension. (And I’m still working on it.) Sexual tension is a large part of what makes romance books wonderful to read. I’m not talking about the sexual tension of the couple bouncing the balls in bed, but what if sex isn’t part of the story? For example an inspirational romance where the couple may kiss but nothing more. I’ve read some inspirational novels with great tension. Shocked? Don’t be. I read a large variety of romance. Or if you’re shocked that inspirational novels have great sexual tension, then you’re reading the wrong ones.

So in this case, it is more like the promise of sex tension. Or maybe it should be called attraction tension. Yeah.

Isn’t that one of the great things about first falling in love? Where the attraction is strong you know it will lead to something more, but for whatever reason you can’t go that extra step and see/feel each other naked. That kind of tension.

Yes. I know my heroes and heroines have no problem doing the deed without blinking an eye, but I want that tension in every moment they’re together, even after they do the mambo between the sheets. I’m a firm believer that a romance novel isn’t over after the first love scene. That’s when the tension heightens. Hey, they know the score and they want more. But there is a time and place to make love, and when those times aren’t available, the couple should be aware of each other and what they want to repeat.

When other authors do this, I know it makes me read faster. Not only do I want them to stop the killer (or werewolf or duke’s spy . . .), I want to see how much deeper they fall in love (it is a romance) as they’re swapping saliva and other interesting fluids. LOL!

I’m working hard to keep this post PG-13. One day, I may have to switch the blog over to 18 and over. Then Katie bar the door, my four-letter self will go wild.

Have you ever read a story where the author used accents? I see it on occasion, and thankfully, nowadays most authors use it sparingly. In CIRCLE OF DANGER, Liam is a secondary character who’s Irish. He’d lived in the U.S. for about ten years, and his accent mostly showed up when he was emotional. So he may say “bloody” when mad or use “me” instead “I” when he’s in a teasing mood. As you can see, I used colloquialism as a way to convey the accent.

No need for abbreviating like people do with Southern accents. Ya’ll un’erstan? That’s just it. Using too many abbreviated words or even slang, can become confusing to the reader and slow down the story. Let them hear the accents in their own mind. One of the tricks to remember is that many accents have rhythms. Sometimes movies can be helpful to get the hang of that.

Everyone in the world has accents. Californians, Oregonians, and Washingtonians claim they don’t. Sorry, but you do. Mostly it’s just the accepted accent for the media. But in the South, we often think some of you sound like a Yankee. HA!

And not all Southerners are hillbillies.