Posted in Ethan, Jake, Sen, Southern Crime Family series, Writing

Inspiration Struck Finally!

Wow! I love it when I’m writing and something that had been bothering me from nearly chapter one finally solved itself.

Well, okay. You twisted my arm. I’ll tell you a little about it. First, let me say, in book one (Jake) of the Southern Crime Family, the hero’s kink is that he likes to spank the heroine. Totally consensual.

In Ethan’s (book two, unless I change my mind again), I’ve already decided his kink will be that he likes to be tied up during the act. Nice twist, for the women are usually the ones, right?

The heroine is what I refer to as a real woman. She knows what she wants and she’s not shy in going after it. And he’s a real man because he isn’t scared to tell his woman that he has problems that only she can solve with a little discipline. By the way, she has a young daughter. I don’t normally have children in my books, but like I said, she’s a real woman.

Then there is Sen, the middle brother. The one I was having a difficulty in giving him a kink. See, he’s in love with an heroine who is deaf. Most of everything I can think of would appear to be taking advantage of her disability in the hearing world or maybe even cruel.

So here I was writing a scene where she’s angry at an old friend (male) and suddenly she remembers the big crush she had for him long ago. She’s getting turned on as her old friend and her new friend (Sen) argue about her, and she’s literally standing between them. She’s short. They are tall. Hot. Hard. Bam!

Let’s say, she’s going to have a fantasy to come true a few times in the book. Sen loves her enough to share. Well, at first. He is an alpha.

Here are the latest covers for Sen and Ethan books.

Posted in blurb, Writing

Let’s Talk Blurbs

Lately, I’ve been thinking about blurbs. You know, the kind on the back of books (or on bookseller sites) and the kind needed for BookBub and ads that don’t want it to be so wordy. It’s important to draw a reader’s attention.

I can’t say I’m great at them, but heck, I see some pretty sad ones. This one I came across in an ad and thought it needed help. I bet the book is awesome, but someone needs to work on the author’s blurbs. Of course, there could be people who would think the same about mine. Anyway, this is my blog and my opinion. HA! You will note I did not leave in character names and I don’t say who the author is. This is not to embarrass the person, just to help other authors who might come across this post.

“When a hit man targets [heroine’s name], gorgeous cop [hero’s name] comes to her defense. But the more time he spends with her, the more irresistible she becomes!”

There were several things I would change and I’m sure more to do with personal preference. What bothered me the most was the word “BUT.” BUT is used to contrast a prior phrase or clause per the dictionary on my computer. What is being contrasted? If the short blurb said, “cop comes to his enemy’s defense” or something like that, I could understand the BUT.

I also want to know why “gorgeous cop?” What does gorgeous have to do with the plot? And really, most of the heroes in romances are gorgeous, even if it just the heroine feeling that way.

By the way, when writing a longer blurb, remember to keep to the basics of what will pull in the reader. Telling a lot of backstory or explaining the whole book will not work. Think of what are the hero/heroine’s goal, motivation, and conflict (GMC)? You can use the following to help fill in those points: want, because, but. Here’s an example from Darynda Jones’s First Grave on the Right. The GMC is pointed out in brackets [ ]. Note that she has actually two conflicts [buts].

“Charley sees dead people. That’s right, she sees dead people. [WANT] And it’s her job to convince them to “go into the light.” [BUT] But when these very dead people have died under less than ideal circumstances (i.e., murder), [BECAUSE] sometimes they want Charley to bring the bad guys to justice. [BUT] Complicating matters are the intensely hot dreams she’s been having about an Entity who has been following her all her life…and it turns out he might not be dead after all. In fact, he might be something else entirely.”

She/publisher did pretty good, heh? Short and hits a lot of hot spots for readers. I hope this helps when you plan to write your next blurb.

Posted in Book Signings, Jake, Writing

A Little Something

Jake adThe other day, one of my writer friends was setting up a press release for our book signing at Barnes and Noble (The Summit) in Birmingham, Alabama on February 8 from 1 to 3 p.m.  And she asked a couple questions you might be interested in seeing the answer.

As a local author, what about Birmingham and Alabama inspires you? How do you weave your local experiences into your stories?

A well-known fact of the South, it’s rich with culture and history. The people love to tell about what happened to them and their relatives with rarely any of the good bits left out. My dad and his dad were big talkers and big readers. No surprise that I am too. So when you mix a reader with someone who likes to talk, they often turn out to be a writer. That’s me.

Posted in Brothers of Mayhem series, Circle of Deception, Full Heat, Jake, My Books, Reading, Southern Crime Family series, The Circle series, Writing

Pile It on

Female legs and revolver

You know what I like about romance books? Of course, the hot sex, but truthfully, the layers my favorite authors weave into their stories. For romances, there should be two main plots in the book.

One, of course is the mystery of romance. You know, the mystery of how they come to understand they should be together (not just because they are compatible in bed, though that is important as it is in relationship) and how they work out their happy ending. A lot of this is internal conflict because love is emotion. Like duh, right?

Second, what is going on in their lives that pull them together? Or make sure they are at the same place at the same time? It can be a missing child, a failing ranch, a killer on the loose, etc. You get the idea. This is the external conflict.

Then you can layer on more. Maybe the two main characters’ families are mortal enemies (Jake: A Southern Crime Family Novel), or hero has a problem with being touched (Full Heat: A Brothers of Mayhem Novel), or heroine reappears after disappearing years before (Circle of Deception: The Circle series). That’s right. The hero and heroine should never be perfect. One can be a little less perfect than the other, but both should have faults. That makes them so much more interesting.

Just be careful with the layers and plots. As an author, it’s important to keep up withFemale legs and revolver
them. The plots need advancement throughout the book, and certainly need to be solved completely by the end. The layers need to show up along the way too. Usually, those faults need to be improved or a promise of improving. Not all of them, but the major ones. At the end of the book, the characters have to be better for knowing each other.

The only exception to solving a plot or improving a fault or more within a book is when it’s part of a series involving one main character. Such as Sylvia Day’s Crossfire series, Darynda Jones’s Charley Davidson series, Laurell K. Hamilton’s Anita Blake series, etc. 

Personally, I’ve quit reading series with a same main character. I get bored, and after awhile, the hero/heroine gets on my nerves. Maybe because they do not seem to grow and learn from their mistakes. Don’t get me wrong. The series above and many others are great series (they wouldn’t be NYT best selling books if they weren’t) but it’s just not my thing, my taste.

My series have a couple threads that run through them to connect, but nothing major. That’s why most can be read as standalones. The Southern Crime Family series is Full Heat_Swaffordcurrently the only one that will need to be read in order. Only book one (Jake) is out. Book two should be in the summer of 2020. The series is about three brothers and their
journey to find love and the true killer responsible for their father’s death. Each book is about a brother.

Another thing about plots. In my books of 60,000 words or less, I try not to throw in a complicated plot(s). Simple is best. If you didn’t, you would limit the romance in such a small book. And no, geez, that doesn’t mean putting in more sex. Romance is emotion. Getting to know each other’s personality traits, understanding why they do the things they do, often learning to trust each other, they are all part of a romance.

For that matter, I write for entertainment. The only place I teach a person something is through my blog posts here (or the workshops I do on occasion).

Posted in An Atlanta Edge Hockey, Crossing The Line, hockey, My Books, Writing

So Minor, But Important

Female legs and revolver

I was watching an interview with Mike Fisher, a retired NHL Nashville Predator and hubby of Carrie Underwood. In being teased about NHL roommates on the road, he mentioned they no longer have to share a room (per the CBA).

So many hockey romances I’ve read mention roommates. The junior leagues probably still do and that’s where others picked it up. Thus one of many reasons I read interviews, opinions, etc. about the NHL. I’m striving to make it real. Well, as real as a romance should be. Most readers appear to not want real-real. (e.g., My Brothers of Mayhem books.)