Posted in Writing

What Can You Learn?

MH900442424One of the many lessons I’ve learned writing over the years is that you have to keep an open mind. There is so much to learn, and sometimes the smallest things will turn on the little light bulb above your head.

For me, I wanted to improve on sexual tension. (And I’m still working on it.) Sexual tension is a large part of what makes romance books wonderful to read. I’m not talking about the sexual tension of the couple bouncing the balls in bed, but what if sex isn’t part of the story? For example an inspirational romance where the couple may kiss but nothing more. I’ve read some inspirational novels with great tension. Shocked? Don’t be. I read a large variety of romance. Or if you’re shocked that inspirational novels have great sexual tension, then you’re reading the wrong ones.

So in this case, it is more like the promise of sex tension. Or maybe it should be called attraction tension. Yeah.

Isn’t that one of the great things about first falling in love? Where the attraction is strong you know it will lead to something more, but for whatever reason you can’t go that extra step and see/feel each other naked. That kind of tension.

Yes. I know my heroes and heroines have no problem doing the deed without blinking an eye, but I want that tension in every moment they’re together, even after they do the mambo between the sheets. I’m a firm believer that a romance novel isn’t over after the first love scene. That’s when the tension heightens. Hey, they know the score and they want more. But there is a time and place to make love, and when those times aren’t available, the couple should be aware of each other and what they want to repeat.

When other authors do this, I know it makes me read faster. Not only do I want them to stop the killer (or werewolf or duke’s spy . . .), I want to see how much deeper they fall in love (it is a romance) as they’re swapping saliva and other interesting fluids. LOL!

I’m working hard to keep this post PG-13. One day, I may have to switch the blog over to 18 and over. Then Katie bar the door, my four-letter self will go wild.

Posted in Writing

Accents: How Do Ya’ll Say . . .

MC900438068Have you ever read a story where the author used accents? I see it on occasion, and thankfully, nowadays most authors use it sparingly. In CIRCLE OF DANGER, Liam is a secondary character who’s Irish. He’d lived in the U.S. for about ten years, and his accent mostly showed up when he was emotional. So he may say “bloody” when mad or use “me” instead “I” when he’s in a teasing mood. As you can see, I used colloquialism as a way to convey the accent.

No need for abbreviating like people do with Southern accents. Ya’ll un’erstan? That’s just it. Using too many abbreviated words or even slang, can become confusing to the reader and slow down the story. Let them hear the accents in their own mind. One of the tricks to remember is that many accents have rhythms. Sometimes movies can be helpful to get the hang of that.

Everyone in the world has accents. Californians, Oregonians, and Washingtonians claim they don’t. Sorry, but you do. Mostly it’s just the accepted accent for the media. But in the South, we often think some of you sound like a Yankee. HA!

And not all Southerners are hillbillies.

Posted in Odd Observation, Writing

Misconceptions

MP900387516 I love writing stories about misconceptions. You know where the hero appears to be a bad guy (and may be one) and he has a problem trusting that there are good people in the world. So cynical. And the woman is good, but people say ugly things about her and how her family is trash, so she has to be trouble too, right? Love it! Even reversed.

We all know in the real life nothing is as it appears. That’s why people fight and argue and are ugly to each other. We can only judge others by our own experiences. If our past involves having people betray or berate us, we expect it from everyone. Our insecurities can be a booger.

As most writers know, editors care little for conflict that could be solved by a simple conversation. I’m sure there are some stories written where the hero and heroine trust and love each other enough for that to happen pretty quickly. You know, talk and believe each other.   

Oh, no, not my characters. I love seeing my couple suffer as they learn to trust. And trust isn’t a stable emotion. In the beginning it doesn’t take much to blow all their hard work to hell and back. If you don’t trust yourself (Should you really believe in this man or woman? You’ve been hurt or seen others hurt over and over again.), how can you believe they won’t betray you? Again?

Bride and groom kissing.

The gradual move from distrust to believing what they say keeps me reading the book. And of course, the sexual tension keeps me turning the pages too.

Yes, love can conquer all ― that’s why I write romances ― but true love takes time and the length of one book usually does it.

Posted in Writing

They Kissed as He . . .

The last few years I’ve seen a trend for the hero to be six foot five and taller. Yes, I know that my hero, Rex, whose story is in CIRCLE OF DECEPTION, is six foot five and even a secondary character, Liam, is six foot six. But for me those are exceptions in my manuscripts. I usually keep my fellows anywhere from five-eleven to six-two, and still that’s above average for the American male.

Anyway, with this tall man trend going on, I’ve read love scenes where the man would have to be a contortionist to perform sexually as the heroines remain shorter than average (5′ 5″) in most of the stories.

Think of it this way, the hero is thrusting (I’m trying to keep this PG-13) and he decides to suck on something taut in the female chest area. There’s some adjustment that’s needs to be done. I’m not saying he can’t do it, but let’s say his thrusting slows because his center must shift quite a bit as he bends like a paperclip.

Then there is the sweet cuddling scene. They can be in bed or standing next to each other. The heroine is five-three and she snuggles her face into the hero’s neck. Is she standing on a box?  If he’s six-five, her nose should be buried in his chest hair. Of course, he could bend down or he could lift her, but I rarely read anything like that.

Oh, oh, and when she feels his hardness (you know what hardness I’m talking about) against her hip/pelvis as they dance or hug . . . LOL! Is he stooping?

Here are some celebrity couples and their heights.  This will help you figure it out. I have a feeling that some of the couples have to get inventive in bed (and out).

And don’t get me started on how a six-seven man can hide or steal just anyone’s car. Seats in the average car will not accommodate those legs, no matter how far back the seat is pushed back. That’s why most tall men drive trucks or over-sized vehicles (e.g., Hummers).

I also drew stick figures (6’5 vs 5’4″) to give you an idea of the differences. Be sure to remember, I’m an author, not an artist.

IMG_0075So I suggest you keep your fellow average height. You can always make your heroine shorter if he has to tower over her. Then I sometimes wonder about guys who . . . no, I’m not going there. I might start a fight then or hurt someone’s feelings.

(updated August 7, 2025)

Posted in Sick, Writing

Starting With a Whimper

MH900423167

I had planned, and even wrote a little bit for a new blog post today, but didn’t finish it. My sinuses are dealing me fits. In fact, one eye is almost swollen shut. Ain’t I pitiful?  LOL!

Whenever I get sick, I feel my age. I guess everyone is like that. Use to I could keep going even with a 101 temp, but no more. Chances are when I finish this short post, I’m carrying my dragging ass to bed. *sigh*

It’s hell growing old.