I recently updated the cover of my Facebook page for the Circle series. Love the little show of, well, you know. And be on the lookout this summer for a special deal on the series, along with the two novellas. Yes, five books.
Lastly, the two novellas have a new cover that will show up online this summer. So much to do and so little time.
What do you think?
Be sure to come and meet me. I’ll have copies of Circle of Desire, Circle of Danger and Circle of Deception available to sign. For the people who are in my Readers Group or purchase a copy of my book, I have swag to give you. So much fun!
For those who already have the books, take a picture of yourself holding the book and show me the picture and I’ll give you swag!
For everyone else, I have book marks and excerpts (and possibly candy) to give out.
See you there!
You know what I like about romance books? Of course, the hot sex, but truthfully, the layers my favorite authors weave into their stories. For romances, there should be two main plots in the book.
One, of course is the mystery of romance. You know, the mystery of how they come to understand they should be together (not just because they are compatible in bed, though that is important as it is in relationship) and how they work out their happy ending. A lot of this is internal conflict because love is emotion. Like duh, right?
Second, what is going on in their lives that pull them together? Or make sure they are at the same place at the same time? It can be a missing child, a failing ranch, a killer on the loose, etc. You get the idea. This is the external conflict.
Then you can layer on more. Maybe the two main characters’ families are mortal enemies (Jake: A Southern Crime Family Novel), or hero has a problem with being touched (Full Heat: A Brothers of Mayhem Novel), or heroine reappears after disappearing years before (Circle of Deception: The Circle series). That’s right. The hero and heroine should never be perfect. One can be a little less perfect than the other, but both should have faults. That makes them so much more interesting.
Just be careful with the layers and plots. As an author, it’s important to keep up with
them. The plots need advancement throughout the book, and certainly need to be solved completely by the end. The layers need to show up along the way too. Usually, those faults need to be improved or a promise of improving. Not all of them, but the major ones. At the end of the book, the characters have to be better for knowing each other.
The only exception to solving a plot or improving a fault or more within a book is when it’s part of a series involving one main character. Such as Sylvia Day’s Crossfire series, Darynda Jones’s Charley Davidson series, Laurell K. Hamilton’s Anita Blake series, etc.
Personally, I’ve quit reading series with a same main character. I get bored, and after awhile, the hero/heroine gets on my nerves. Maybe because they do not seem to grow and learn from their mistakes. Don’t get me wrong. The series above and many others are great series (they wouldn’t be NYT best selling books if they weren’t) but it’s just not my thing, my taste.
My series have a couple threads that run through them to connect, but nothing major. That’s why most can be read as standalones. The Southern Crime Family series is 
currently the only one that will need to be read in order. Only book one (Jake) is out. Book two should be in the summer of 2020. The series is about three brothers and their
journey to find love and the true killer responsible for their father’s death. Each book is about a brother.
Another thing about plots. In my books of 60,000 words or less, I try not to throw in a complicated plot(s). Simple is best. If you didn’t, you would limit the romance in such a small book. And no, geez, that doesn’t mean putting in more sex. Romance is emotion. Getting to know each other’s personality traits, understanding why they do the things they do, often learning to trust each other, they are all part of a romance.
For that matter, I write for entertainment. The only place I teach a person something is through my blog posts here (or the workshops I do on occasion).
I came across a screen shot of my very first website. Yep. I designed it myself with SiteSpinner. A cool little software program that helps those unfamiliar with coding. It was WYSIWYG type and I used it for years. If you can read some of the small print, you will see I was a romantic suspense and paranormal writer. That’s paranormal romance writer by the way.
One day, I hope to pull out one of my paranormal romances and rewrite it and see if someone else likes it besides myself.
If you’re wondering, I wrote eleven books before I sold my first one. It was actually book number ten, my second romantic suspense, that Avon Impulse (HarperCollins) published. The first two books I ever wrote need to be thrown out, and only the plots used. One was a historical romance set in the Middle Ages. The next was a romantic suspense, not spy or assassin like my Circle books, but a former DEA agent (heroine) recuperating from her years being undercover. During the operation, she became addicted to cocaine while she played the drug lord’s girlfriend and she screwed up even more. She’d fallen for him. After putting him in prison, and length stay in rehab, she came under investigation. The special agent (hero) investigating her begins to have feelings for her. The drug lord escapes prison and troubles ensue.
No. I haven’t read it in years, but I still remember the plot.
October is a good month for me. My first book, Circle of Desire, was published October 18, 2011, and on October 14, 2014, I agreed with Loveswept (Penguin-Random House) on a two-book contract. (Those books came out in 2016.) It was a mostly lovely experience I will never forget. The best part was joining forces with my agent, Emily Sylvan Kim, Prospect Agency. Love her!
So far, I’ve published 10 books. All of them can be found at most major booksellers’ websites. Only one was from my pre-published days (yep, my debut book). So I guess you could say, I have a good stack to pull from when I have the time.
Presently, I’m working on a new Hockey Romance titled Fake Play.
No. I didn’t leave out anything between heroine and hero. Lately, there has been a debate of rather or not the word heroine is outdated.
Someone on Twitter had said that comics…oops…graphic novels (or whichever term you prefer) refer to superheroes no matter the sex of the character, not superheroes and superheroines. Okay. Sounds cool right? There’s more I can say about female superheroes and some of their costumes, but that’s not really what I’m talking about here.
I understand why people are saying there shouldn’t be a difference, but I disagree with that when it comes to traditional romance novels. So you can say there are certain stories or books that it should always be okay. It’s to do with their gender, and the two are equal in their importance in the story.
My novels have a heroine and a hero. They have a man and woman who fall in love. It is just my preference to write those type of stories.
Okay now on to the heroine hero point I want to bring up. I see this happen mostly in paranormal romances. I’m sure it happens in other genres. Maybe romantic suspense. You know, a female detective with a male lead who isn’t in law enforcement.
Anyway, it’s where the female lead has all of the skills to the point she doesn’t need the male lead, and she has big time control issues. As in she wants to control everyone and everything around her. It’s most tiring to read. While the male lead is there merely so they can have sex, and the book can be called a romance. Sure, he may come in and help out, but he is really just beefcake. Kind of like how the woman is sometimes treated in other books. (Then she would be just cheesecake. Look it up. LOL!)
I prefer that the male lead possess a certain skill or object she needs (get your mind out of t
he gutter) to defeat the evil entity. That gives him a solid reason for being there.
While I’m writing this, I’m mentally going through my published books. Do I have a heroine hero? No. I have a few heroines with control issues, and the heroes certainly have their own issues, but they have skills.
Circle of Desire has a female assassin, and she loves to use men for relief (this is where you can let your dirty mind run free), but the hero is certainly there for a reason. He kidnaps her and works on bringing her over to the good side.
In Hidden Heat, the heroine is bossy and unafraid of the bad guys. They are like uncles to her. Men who she grew up around. So she knows the Brothers of Mayhem MC inside and out, and the hero (undercover cop) can use her knowledge to bring the bad guys down.
My heroines are not wimps, but the two above are the most gutsy.
I like to think most of my lead characters are on equal footing, but the heroine is all woman and the hero all man, and that makes the dynamics of the romance more interesting.
Carla Swafford, Author 